Analyzes 20th century transnational literature by women writers *about* women writers and creative women. Authors portray female characters who are in the process of writing or other artistic endeavors and, through the characters, show them grapple with gendered “social fictions” regarding women’s roles, creativity, and power. Focusing on literature that portrays women who write and women who are creative, we will examine how women’s written works of art are shaped by social fictions regrading domestic labor, pregnancy, motherhood, sexual repression, woman as visual/representational, and more. We will also examine different forms of creativity and different access to the creative realm among women in literature. What historical, institutional, and systemic obstacles have shaped what women write and which women write? How does the portrayal of writerly/creative female characters vary based on their gender, race, sexuality, and locationality?
File: GenWS-350-Spring-2025-Syllabus-T-Lemaster.pdf
What happens to the bodymind kept in waiting? This course pursues questions of the “in- between” through the lenses of health and disability justice. Considering the concept of “patient,” with connotations of compliance and medicalization, students will explore how race, gender, class, sexuality and citizenship impact how long one waits for care.
File: Waggoner_350_Lit-and-Gender-Waiting-Room-Syllabus_Fall-2023.pdf
In this session of Gender and Women’s Studies/English 350, we will traverse North American literary fiction, drama, manifestos, memoirs, and poetry in order to apprehend intersectional archives of gender and sexual expression from the 1960s to the present. As we interrogate how these vastly different texts might touch one another in unexpected ways, we will also contextualize them through their cultural and historical contexts in liberatory political movements in North America and abroad. Together, we will reckon with the literary and lived experiences of gender and sexual outlaws over the last half-century as they express new ways of being in the world and even new worlds.
File: GenWS-350-002_Fall-2024_Cannell.pdf
This course will focus on how visionary and speculative fiction serve as a compliment to social justice activism. Students will have the opportunity to read, respond to, and produce visionary and speculative fiction.
File: GWS-359-Syllabus-Fall-2023.pdf
Examines the social, cultural, political, and symbolic constructions of the intersecting categories of gender and disability.
File: GenWS-370_GenDisSex_Schalk_Fall-2020.pdf
Interdisciplinary analysis of the films about disability, stigmatized bodies, and their gendered constructions using feminist and disability studies methods.
File: GWS371Fall2016Loutensock.pdf
Explores gender identity and sexuality among disabled people using historical and theoretical articles to discuss and analyze films, memoirs, and poetry by people with disabilities. Provides a brief introduction to disability studies and intersectionality before delving into academic discussions and artistic representations of the intersections of disability, gender, and sexuality.
File: GenWS-374_Schalk_Fall-2021.pdf
Explores topics in gender and visual culture, including artistic practice, political and creative expression, and cultural phenomena.
File: GenWS-410-Fall-2024_Campbell.pdf
Legal system, laws, and proposed legislation that have specific impact on the lives of women. Topics investigated in both the social and legal contexts.
File: GWS-422_2018_Spring_Charleston.pdf
Explores the social, cultural, and political construction of the female/feminine body. Considers specifically the bodies of women and girls, transgender women, non-binary people that embody the feminine, female masculinities, and bodies that identify and are identified as female, as bodies that have historically and traditionally been sites of political contention, of societal meaning making, of cultural symbolism, and active resistance.
File: GenWS-423-Spring-2025-Syllabus-Final.pdf