Queering the Hmong Diaspora: Racial Subjectivity and the Myth of Hyperheterosexuality

Cover of Kong Pheng Pha's book titled Queering the Hmong Diaspora: Racial Subjectivity and the Myth of Hyperheterosexuality. The first part of the title is in the middle of the cover in white with the second part in black at the bottom in capital letters. Kong Pheng Pha is listed in red underneath. The cover is mostly grey and presents two angles of a woman with her hair in a bun, wearing a black shirt, a checked patterned skirt, and red flip flops.
Pha, K. P. Queering the Hmong Diaspora: Racial Subjectivity and the Myth of Hyperheterosexuality. University of Washington Press, 2025.

In the wake of the US wars in Southeast Asia, the arrival of Hmong refugees reignited American anxieties about race and sexuality. Sensationalized media portrayals of child marriages, bride kidnappings, and polygamy framed Hmong communities as sexually deviant, reinforcing a racialized perception of their cultural practices. In Queering the Hmong Diaspora, Kong Pheng Pha dismantles these narratives, revealing how legal cases, media representations, and legislative efforts have constructed Hmong Americans as hyperheterosexual and ungovernable subjects.

Critically examining how Hmong Americans are positioned within racial, gendered, and sexual discourses of liberalism, Pha explores the lived experiences of queer Hmong Americans, whose existence and activism challenge mainstream and ethnonationalist constructions of subjectivity. Addressing Hmong American gender and sexual politics through feminist, queer, and social justice lenses, Pha offers a critical framework for understanding how race and sexuality intersect in shaping the lives of minoritized refugee communities in the United States and beyond.

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