University of Wisconsin–Madison

Anna Campbell

Assistant Professor

anna.campbell@wisc.edu

3315 Sterling Hall

Anna Campbell

https://annacampbell.net/

Curriculum Vita

Students taking credits with me may schedule studio visits or book appointments for office hours here.

Using sculpture, site-specific installation and the design of ephemera, Anna Campbell’s work deconstructs signifiers of gender and heteronormativity. Appropriated and abstracted references to domestic spaces, gay bars and building construction are employed to access new attachments of possibility and desire. Her work has been featured in the Advocate.com, Hyperallergic, GQ.com, the Chicago Reader, and in Erica Rand’s essay, “Hip Openers: On the Visuals of Gendering Athleticism,” published in Queer Difficulties in Art and Poetry: Re-thinking the Sexed Body in Verse and Visual Culture, edited by Jongwoo Jeremy Kim and Christopher Reed, Routledge, 2017. Campbell has been in residence at ACRE (Artists’ Cooperative Residency and Exhibitions), FIAR (Fire Island Artist Residency), Haystack Mountain School of Crafts, Ox-Bow, and the Vermont Studio Center. Campbell is an Affiliate of the Art Department, and teaches courses on feminist and queer art.

GENDER & WOMEN’S STUDIES COURSES
Gen & WS 340: Topics in LGBTQ Sexuality: Contemporary Queer Art and Visual Culture

SELECT SOLO EXHIBITIONS
Apparatus for a Dream Sequence, Wriston Art Galleries, Lawrence University, Appleton, WI, 2018
Etiquette Kit, BOSI Contemporary, New York, NY, 2015
Under Water Into the Sunset, Window Into Houston: Blaffer Art Museum, University of Houston, TX, 2013
The Slow Club, ACRE Projects and Parlour on Clark, Chicago, IL, 2012

SELECT GROUP EXHIBITIONS
Cast of Characters (Liz Collins, curator), Bureau of General Services Queer Division, The Center, New York, NY, 2018
Queer|Art Presents artists Liz Collins and Anna Campbell, (two person exhibit), The Studio presented by HBO, Provincetown, MA, 2018
Glass Ceiling: Art of Resilience and Fragility, (Osman Can Yerebakan, curator) Agnes Aviris Art Center, Urban Glass, Brooklyn, NY, 2017
Let Me Be an Object that Screams, (Matt Morris, curator) Gallery 400, University of Illinois Chicago, Chicago, IL, 2017
Expanded Visions: Fifty Years of Collecting (Rob Hugh Rosen and Branden Wallace, curators), Leslie Lohman Museum of Gay and Lesbian Art, New York, NY, 2017
Into that Fog: Queer|Art|Mentorship Fellows Exhibit, (Ashton Cooper, curator) Prince Street Project Space, New York, NY, 2017
New Grounds, (juried) International Institute of Contemporary Art and Theory, Mangalia, Romania, 2017
Working Forces (Jehra Patrick, curator), Soap Factory, Minneapolis, MN, 2016
Almost Home (invitational), Frederik Meijer Gardens and Sculpture Park, Grand Rapids, MI, 2016
Queering the Bibliobject, (Jon Chaich, curator) Center For Book Arts, New York, NY, 2016
Do You Hear What I Hear? (Anthony Elms, curator) AIR Gallery, New York, NY, 2016
Value Added, Elaine L. Jacob Gallery, Wayne State, Detroit, MI, 2015
The Wet Archive, Chazen Museum of Art, Madison, WI, 2015
Body, Body, Bodies…(juried), SOMarts, San Francisco, CA, 2014

SELECT PUBLIC COLLECTIONS
Lesbian Herstory Archives, Brooklyn, NY (site-specific, permanent installation)
Leslie Lohman Museum of Gay and Lesbian Art, New York, NY
MoMA Library, New York, NY